In 2009 Fujita hand-fabricated an original instrument, an eleven-pipe organ. Since then, he has released a number of different projects and lives set, all that contain a common thread of the use of air and minimalist sound. The release of his 2020 album “iki” on Swiss label Hallow Ground brought wider recognition beyond Japan, particularly in Europe and North America. Since then, he has performed in a wide range of venues and festivals internationally.

When he built his pipe organ, he had no knowledge of the experimental organ scenes in Europe and North America and any context. It was precisely this lack of awareness that gave rise to his unique approach, one that emerged from a personal and intuitive place, clearly outside of any established musical context. This approach remains central to his practice today, as he continues to prioritize personal exploration and curiosity over convention, pursuing a highly unique style and a deep commitment to his own sonic sensibilities.

His works has been presented in Veince Biennale (IT), Unsound Festival (PL), Rewire Festival (NL), Big Ears Festival (US), Send+Receive (CA), Variations Festival (FR), Volume Festival (AUS), MODE (UK), Waking Life (PT), Bourse de Commerce (FR), Pioneer Works (US) and others.

He has also collaborated with ∈Ｙ∋ (Boredoms), Keiji Haino, Rashad Becker and Ka Baird.